Sunday I went to see this
.
the Auditorium of Rome is a spectacular place. One hallway leads to three large semi-circular rooms that compose it. Along this corridor there is also room for more little ones theaters, exhibitions of paintings, rare books, photography. Turn in there is a good way to kill time before the show begins, and as you look around casually, you can run into written like this:
However, after having traveled quite a bit, and pick up your ticket,
I placed in front the staircase leading to the theater
few years ago, there were the Totem. Theater in which Alexander, assisted by others, explaining the music, but especially read. She was born there, reading this page. The success was enormous. The basic idea is simple: choose a work, read some basic steps and from there to explain the author's poetic with a side of anecdotes about the book but not all. Then he wrote City, half bottle, the way I see it. Thus, the somersault of Acrobat: extrapolate the small western stories in the book and read it. A theater. With the Air to do the soundtrack. Even a CD has been made. Earlier, in an old Totem, the Iliad. That piece there, I know almost by heart. And today, Moby Dick, the most difficult, he said. But on the other hand, if the end should be, whether with a bang. Yes, because water has passed under the bridge and today reading "also make them to school on my son" - says. So, reading Moby Dick closes a journey that began many years ago. Now "is switch to another "just as Stefano Benni, with him to read Moby Dick with Paolo Rossi and Clive Russell, mocks the next project of Alexander, a project that will take the stage and he Joyce's Ulysses, Stephen, read only vowels. Now I stand here to tell word for word how it went. It would take me a couple of hours, maybe. What I know, just like when I went on reading the story from City and the Iliad, is that I feel more wealthy . Now I know much of a book without reading it. The downside is that it certainly will not read. For City was different, but the Iliad, as well as for Moby Dick that is, essentially, in those books if I do not care about anything. I was not there for the book or the story, but because he told me he would . I know most of the Iliad to hear her read from him for what lasciatomi from school. Ditto for Moby Dick. And believe me, I know more than I could learn just by reading it. Clive Russell, Stefano Benni and Paul Smith are three very different characters and it seems strange that share the same stage. Yet all three embody the different literary styles with which you wrote Moby Dick. Paolo Rossi is primarily Ishmael, the young man who embarks on a ship of Captain Ahab. He recounts that at the end of the Antarctic. And just as in book its engagement is more like a skit for a comedy rather than a scene from a book that he aspired to imitate the plays of Shakespeare, so Paul Smith from his best well-supported by three musicians. Laughter for a good forty minutes: Paul imitates gives each character a different voice every so often wrong, no one knows whether by choice or spontaneously. And all of this clashes terribly with the thoughts of Captain Ahab when we set sail, brought to light by Stefano Benni one who knew his books, I never expected such a dramatic reading. "I do not want men on the boat who are not afraid of a whale" ... And in the end, Captain Ahab in the voice of Clive Russell. He, Alex, takes themselves the first of the three-hour show: some parts of the law, he stops, he explains, as he can make the seasons of anecdotes, with a mastery of the language is that of his books. And there, while talking, exactly, but with the passion of those who loved him the book, you know how they are born the lips of Jun, Hector Horeau, Crystal Palace, the Silk Road and the reference to the Castles of Anger, and Elisewin seventh room, Nina and Shatzy - Shatzy! - until last. So, suddenly, it becomes clear. An hour to explain the Moby Dick first let us see through Rossi, Benni and Russell. And before closing his speech, a warning: the last part will be read in English. Subtitled. Then, slowly, disappear even subtitles, so you grasp what Moby Dick has made the greatest novel ever written in English: The sound how it was written. And finally, after three hours, applause. All four on stage and he, Alexander, before going out, shakes his fist and shows it to someone, behind the scenes. He does not like to be seen, but that I am standing and I'm about to leave, I see it. And do not you explain, then and there. I mean, this person did bring in his talent. He wanted to try to make literature in theaters, on television even gliel'hanno and made do. He stopped when he wanted, even though people ask him loudly. He wanted to try writing in a newspaper. Every Wednesday, the first La Stampa, La Repubblica then, not just any two newspapers, gave him the chance to write what he wanted what he wanted. The Barnum born in those years. Then he returned to write an essay, in installments, Dickens was not even, again on La Repubblica: The barbarians. From where, then, a book. Certainly easier to read a column a week on a newspaper. Now he has made a film, by director: Lesson 21. The first performance of Beethoven's Ninth, to which must be especially set since every time the municipality. Let's face it: whatever he wants to do, there is someone willing to let them. In such a situation, everything I'm thinking unless he exult at the end of the third reading of the replica. By bus, while I go back to the station, I think about it, what comes to mind is that, actually, you can not help but cheer when they are about four people (Sunday we were a thousand, I suppose that in the three previous evenings, more or less There was the same number of people) are willing to sit three hours without break, to hear four people who read. Especially if after two and a half hours that you are there, you decide that reading should be in English and for good twenty minutes there are even subtitles. Yet people did not move an inch until the very end, to the applause. And then maybe yes, this is the case for celebration. Maybe not so striking, but a little 'hidden behind the scenes while back. Just to say that yes, the idea worked and four thousand people, glued to the chair, they understood what's so great in Moby Dick as to be considered the greatest novel written in English. And to make him understand, you could not help but in the end it read in that language. It was indeed risky and could be a flop. And you know, the big flops as successes, are enormous, not things to laugh about. On Sunday, then, with the football league, a thousand people in a theater closed for three hours. Oh. Instead, he has won and then yes, we beat a handful closed to who knows whom. For me, however, had gone, he would have won anyway. Why, again, I know a lot of things about a book that I have ever read. But it's like you did. One Sunday afternoon in the championship, in a theater.
the Auditorium of Rome is a spectacular place. One hallway leads to three large semi-circular rooms that compose it. Along this corridor there is also room for more little ones theaters, exhibitions of paintings, rare books, photography. Turn in there is a good way to kill time before the show begins, and as you look around casually, you can run into written like this:
However, after having traveled quite a bit, and pick up your ticket,
I placed in front the staircase leading to the theater
few years ago, there were the Totem. Theater in which Alexander, assisted by others, explaining the music, but especially read. She was born there, reading this page. The success was enormous. The basic idea is simple: choose a work, read some basic steps and from there to explain the author's poetic with a side of anecdotes about the book but not all. Then he wrote City, half bottle, the way I see it. Thus, the somersault of Acrobat: extrapolate the small western stories in the book and read it. A theater. With the Air to do the soundtrack. Even a CD has been made. Earlier, in an old Totem, the Iliad. That piece there, I know almost by heart. And today, Moby Dick, the most difficult, he said. But on the other hand, if the end should be, whether with a bang. Yes, because water has passed under the bridge and today reading "also make them to school on my son" - says. So, reading Moby Dick closes a journey that began many years ago. Now "is switch to another "just as Stefano Benni, with him to read Moby Dick with Paolo Rossi and Clive Russell, mocks the next project of Alexander, a project that will take the stage and he Joyce's Ulysses, Stephen, read only vowels. Now I stand here to tell word for word how it went. It would take me a couple of hours, maybe. What I know, just like when I went on reading the story from City and the Iliad, is that I feel more wealthy . Now I know much of a book without reading it. The downside is that it certainly will not read. For City was different, but the Iliad, as well as for Moby Dick that is, essentially, in those books if I do not care about anything. I was not there for the book or the story, but because he told me he would . I know most of the Iliad to hear her read from him for what lasciatomi from school. Ditto for Moby Dick. And believe me, I know more than I could learn just by reading it. Clive Russell, Stefano Benni and Paul Smith are three very different characters and it seems strange that share the same stage. Yet all three embody the different literary styles with which you wrote Moby Dick. Paolo Rossi is primarily Ishmael, the young man who embarks on a ship of Captain Ahab. He recounts that at the end of the Antarctic. And just as in book its engagement is more like a skit for a comedy rather than a scene from a book that he aspired to imitate the plays of Shakespeare, so Paul Smith from his best well-supported by three musicians. Laughter for a good forty minutes: Paul imitates gives each character a different voice every so often wrong, no one knows whether by choice or spontaneously. And all of this clashes terribly with the thoughts of Captain Ahab when we set sail, brought to light by Stefano Benni one who knew his books, I never expected such a dramatic reading. "I do not want men on the boat who are not afraid of a whale" ... And in the end, Captain Ahab in the voice of Clive Russell. He, Alex, takes themselves the first of the three-hour show: some parts of the law, he stops, he explains, as he can make the seasons of anecdotes, with a mastery of the language is that of his books. And there, while talking, exactly, but with the passion of those who loved him the book, you know how they are born the lips of Jun, Hector Horeau, Crystal Palace, the Silk Road and the reference to the Castles of Anger, and Elisewin seventh room, Nina and Shatzy - Shatzy! - until last. So, suddenly, it becomes clear. An hour to explain the Moby Dick first let us see through Rossi, Benni and Russell. And before closing his speech, a warning: the last part will be read in English. Subtitled. Then, slowly, disappear even subtitles, so you grasp what Moby Dick has made the greatest novel ever written in English: The sound how it was written. And finally, after three hours, applause. All four on stage and he, Alexander, before going out, shakes his fist and shows it to someone, behind the scenes. He does not like to be seen, but that I am standing and I'm about to leave, I see it. And do not you explain, then and there. I mean, this person did bring in his talent. He wanted to try to make literature in theaters, on television even gliel'hanno and made do. He stopped when he wanted, even though people ask him loudly. He wanted to try writing in a newspaper. Every Wednesday, the first La Stampa, La Repubblica then, not just any two newspapers, gave him the chance to write what he wanted what he wanted. The Barnum born in those years. Then he returned to write an essay, in installments, Dickens was not even, again on La Repubblica: The barbarians. From where, then, a book. Certainly easier to read a column a week on a newspaper. Now he has made a film, by director: Lesson 21. The first performance of Beethoven's Ninth, to which must be especially set since every time the municipality. Let's face it: whatever he wants to do, there is someone willing to let them. In such a situation, everything I'm thinking unless he exult at the end of the third reading of the replica. By bus, while I go back to the station, I think about it, what comes to mind is that, actually, you can not help but cheer when they are about four people (Sunday we were a thousand, I suppose that in the three previous evenings, more or less There was the same number of people) are willing to sit three hours without break, to hear four people who read. Especially if after two and a half hours that you are there, you decide that reading should be in English and for good twenty minutes there are even subtitles. Yet people did not move an inch until the very end, to the applause. And then maybe yes, this is the case for celebration. Maybe not so striking, but a little 'hidden behind the scenes while back. Just to say that yes, the idea worked and four thousand people, glued to the chair, they understood what's so great in Moby Dick as to be considered the greatest novel written in English. And to make him understand, you could not help but in the end it read in that language. It was indeed risky and could be a flop. And you know, the big flops as successes, are enormous, not things to laugh about. On Sunday, then, with the football league, a thousand people in a theater closed for three hours. Oh. Instead, he has won and then yes, we beat a handful closed to who knows whom. For me, however, had gone, he would have won anyway. Why, again, I know a lot of things about a book that I have ever read. But it's like you did. One Sunday afternoon in the championship, in a theater.
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